![]() ![]() Personally I hate subscriptions to software. You can either buy it outright for £119 or you can rent it (or ‘subscribe’ if you prefer) for £5.99 per month. There are also two ways to acquire the software. There are some obvious changes, such as the redesigned user interface and some less obvious changes such as the change to a 64-bit architecture. This is the first major update to ACID in about ten years. And you can add your own recorded audio from a connected instrument or microphone if you plan to add vocals. You can also change rhythms by applying ‘grooves’ (pre-defined sets of rhythmic properties) to a track. And if you need to change the key or the tempo, you can do that for the entire project or for individual clips. You can divide your music into named sections – intro, verse, chorus and so on. ![]() The simplest way to create a composition is to ‘pick and paint’ – that is, you pick a few loops, drop them onto tracks and then extend the sounds by dragging them with the mouse to ‘paint’ them onto specific portions of the track. The good news is that ACID makes it really easy to create music just by dragging and dropping loops, extending or cutting them, changing their pitch and adding effects such as amp distortions, echoes and delays. OK, so once the loops has been downloaded I was ready to go. ĭeprecated, not fully supported? And yet has its own docked window? In installed it anyway but it still didn’t show up in the workspace. If customers want to use it they can install it here. Media Manager installs separately from Acid. Media Manager is deprecated and not fully supported. When I opened this window, a message appeared stating: “The Media Manager is not installed”. The Media Manager has its own docked window. In principle, the ACID Media Manager should provide a simple way of finding loops from within the environment. Surely someone would have noticed that it is not likely to inspire a feeling of joy, contentment and goodwill in the end user! ![]() By now I was starting to wonder if anyone had bothered to test the installer. I eventually discovered that they had been conveniently installed into the directory C:\Users\Public\Documents\MAGIX\Common\Loop Collections and I had to use the built-in disk browser to navigate to them. Once they’d been installed I naively expected them to be available from a docked window in the ACID environment. I mean, what! Frankly, people, this is all a bit of a palaver and the loops should have been installed simply and automatically. The loop collection installers even demand that you select between a Standard and Custom installation in spite of the fact that no custom installation is actually available (I tried it – it wasn’t there). Having downloaded these (it takes hours on a slow connection like mine) you then have to run no less than seven installation programs, each of which prompts you to click through several dialogs to accept installation settings and licence terms. Finally I discovered that I had to download loops via the Help menu. But when I did that I just got advertising for other MAGIX products. The help system told me to click a ‘ Get Media from the Web’ button. The only problem was that I couldn’t find them. According to the ACID web site, the software comes with 9GB of new ACIDized loops. ![]() …um, well, actually that was the first problem I encountered. You just pick instruments such as guitars, organs or drums and… These clips may take the form of pre-recorded ‘loops’ – fragments of music that can be seamlessly joined together to create a score. Essentially, it lets you compose and arrange music on multitrack timelines by adding clips one beneath the other. It falls into a category of software known as a Digital Audio Workstation or ‘DAW’. ACID Pro 8 – the interface has been given a spruce up. ![]()
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